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Fahrenheit 451
2003
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Library Journal Review
This quality hardcover of the Bradbury standard is being released to honor the book's 50th anniversary. With numerous book clubs adopting this title, it's worth buying a few hardbacks to go along with your existing paper editions. This reprint also includes a new introduction by the author. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
After years of working as a fireman-one who burns books and enjoys his work-Guy Montag meets a young girl who makes him question his profession and the values of the society in which he lives. Stephan Hoye's narration is perfectly matched to the subject matter: his tone is low and ominous, and his cadence shifts with the prose to ratchet up tension and suspense. He produces spot-on voices, and his versions of the gruff Captain Beatty, the playful Clarisse, and the fearful professor Faber are especially impressive. A Ballantine paperback. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.
School Library Journal Review
In this foremost example of dystopian fiction, Bradbury twists the heroic role of firefighters. In a futuristic society, firemen don't put out fires, they start them. Specifically, they burn books and the subversive ideas contained within their pages. The trouble begins when one fireman, Guy Montag, begins to question the system and seeks to escape the control of the city. Hoye is a superb guide through this terrifying world, moving both action and reflection along with exactly the right pacing. First published in 1953, the story remains disturbingly contemporary and the ending, with its determination to keep books alive by memorizing them and speaking them aloud, is well suited to the audio medium. The 1996 film, directed by Francois Truffaut and starring Julie Christie and Oskar Werner, veers from the original story, making it particularly useful as a student exploration of the differences between Hoye's interpretation of Bradbury's words and Truffaut's greater liberties with the text. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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