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Anxious people : a novel
2020
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Library Journal Review
Marin Ireland has a mere couple dozen audio credits--the majority of them in the last few years--yet she's undoubtedly one of the industry's most versatile, consistently stupendous narrators. Returning for her third Backman pairing, Ireland superbly brings to life the vast cast with enviably distinct and effortlessly fluid characterizations. The story's center is a hostage situation during an open house: a failed bank robbery, financial collapse, adultery, and suicide are just some of the challenges that loom over the crowd trapped inside the apartment. And yet the narrative's soul turns out to be unexpected lifesaving connections. Ireland gets every character just right: the father and son who make up the local police force; the desperate divorced mother who will do anything for her young children; the high-strung real estate agent; the disgruntled, acerbic executive; the lesbian couple about to become parents; the octogenarian waiting for her husband; the always-in-search-of-a-bargain husband-and-wife fix-it team; the bunny-suited stranger hogging the bathroom. Somehow, Ireland becomes a co-conspirator, enjoying the pizza, smoking in the closet, chatting books. VERDICT Balancing--so remarkably well!--big topics with whimsy and charm, Backman continues his bestselling success; Ireland, meanwhile, proves why audiences everywhere need to listen in.--Terry Hong, Smithsonian BookDragon, Washington, DC
Publishers Weekly Review
A diverse assortment of Swedes gets caught in an unlikely hostage situation in Backman's witty, lighthearted romp (after Us Against You). On the day before New Year's Eve, in a "not particularly large or noteworthy town," a desperate parent attempts to rob a bank in order to provide for two young children. After the police arrive, the amateur stickup artist flees and stumbles into an apartment's open house. The attendees, including a heavily pregnant, first-time home-buying lesbian couple; an apartment-flipping older couple; and Zara, an executive at another bank, become hostages. Meanwhile, father and son police officers Jim and Jack scramble into action. The appearance of a man wearing nothing but underwear and a bunny mask, hired by the flippers to sabotage the open house, adds to the drama. Backman layers the hostage scene with threads of backstory on Zara's regret for denying a loan to a man ten years earlier, along with developments in Jack and Jim's investigation. While the prose is chockablock with odd metaphors ("Our hearts are bars of soap that we keep losing hold of") and a plot twist leans on societal assumptions, Backman charms with his empathetic description of the robber, who gradually earns sympathy from the hostages. This amusing send-up of contemporary Swedish society is worth a look. Agent: Tor Jonasson, Salomonsson Agency. (Sept.)
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